body of lion and head of human apocalypse

Here, reviewer Brett Popplewell writes, is Dryden, one of hockey's most celebrated goalies, 'reclaiming his place among this country's deepest sports writers.' To Dryden, he adds, 'Montador's story is the story of modern hockey. “Why Cylinder Seals? Engraved Cylindrical Seal Stones of the Ancient Near East, Fourth to First Millennium B.C.” The Art Bulletin 75: 563-582.Game Change: The Life and Death of Steve Montador, and the Future of Hockey, by Ken Dryden (Signal) – A deep piece of investigative journalism that chronicles the emotional rise and quick demise of one of hockey's many tragic figures.

Culture and History of the Ancient Near East, Vol. Ancient Near Eastern Seals from the Kist collection: Three Millennia of Miniature Reliefs. Fribourg: Academic Press Göttingen: Vandenhoeck & Ruprecht.

The Ancient Near Eastern Cylinder Seals of the Collections “Bible+Orient” of the University of Fribourg. Keel-Leu, Hildi and Beatrice Teissier, 2004. B” Reallexikon der Assyriologie und Vorderasiatischen Archäologie 8: 246-264. Catalogue of the Western Asiatic Seals in the British Museum: Cylinder Seals III. Early Near Eastern Seals in the Yale Babylonian Collection. New Haven: Yale University Press.Ĭollon, Dominique, 1986. Gods, Demons and Symbols of Ancient Mesopotamia: An Illustrated Dictionary. It also bears some resemblance to a goat-fish, a part-goat, part-fish creature that often appears on Old Babylonian seals.īlack, Jeremy and Anthony Green, 1992. It appears similar to some birds shown on 2 nd millennium Syrian seals – perhaps to be interpreted as doves. The identification of the creature in the sky is uncertain. It is very common for the lion-demon and the god with a scimitar to be shown together, and it is possible the lion-demon represents one of Nergal’s disease-bringing attendants. He is sometimes referred to as “the warrior god,” and may represent the Mesopotamian god Nergal, a violent god associated with the underworld, devastation, and disease. The god with a scimitar is another common figure on Old Babylonian seals. The object in his left hand is unclear: his expected weapon in such scenes is a mace, but the object in this seal looks more like a bucket or pail, usually held by priests on Old Babylonian seals. He is often, in the Old Babylonian period, shown holding a human victim upside down. The lion-demon is a Mesopotamian hybrid monster with a lion’s head, donkey-like ears, a human body, a lion’s tail (here hidden by his kilt), and bird’s talons. In other interpretations, the sun god’s knife may be a symbolic tool for “cutting” decisions – a reference to the Mesopotamian sun god’s capacity as the god of justice. Both of these features – the knife and the mountain – evoke to the Mesopotamian concept of the sun cutting through the eastern mountains to rise every morning – a connection which is made more explicit in the detailed, 3 rd millennium B.C.E. The object on which his foot rests is usually understood as a mountain. He is identified as the sun god by his characteristic saw-toothed knife. The sun god, Šamaš, stands in a position known as “the ascending posture” – extremely common on Old Babylonian seals, both for gods in general and for the sun-god in particular. He is usually depicted in the same position and attire as on this seal, and seems to represent the Mesopotamian king fulfilling his religious duties. The man with one hand raised is a common figure on Old Babylonian cylinder seal. The configurations of figures and motifs on this seal are typical of the Old Babylonian period in Mesopotamia, dating to ca. In the field is a walking bird (or goat-fish?), in profile. The second group of figures consists of a lion-demon, holding an inverted human by the ankles, and a bearded god who holds a scimitar. Between the two figures is a sun-disc and crescent. The first group consists of a robed figure, raising one hand, facing the sun god Šamaš, who holds a saw-toothed knife. The figures on this seal can be divided into two groups.

Body of lion and head of human apocalypse